Hill Country Live presents music in our clubs downstairs in New York City & Washington, D.C. Since our beginnings, we have transformed our music program, from a fun dinner enhancement to a vital music experience. We book bands that live comfortably under the Americana banner with a nod to our spiritual home in Austin, and so have been graced by the likes of Billy Joe Shaver, Ray Wylie Hubbard, Bob Schneider, Hayes Carll, Puss 'n Boots (feat: Norah Jones), The Bottle Rockets, Marah, Chris Knight, Jim White, Big Sandy and Kelly Willis + Bruce Robison, to name a few. But we are also quite happy to present everything from the legendary underground rockabilly revivalist, Robert Gordon to a Bee Gees Metal Tribute (what's more American than that?) to the Motor City Garage Soul of the Detroit Cobras.
Hill Country Live presents over 500 shows a year between our NYC and Washington, D.C. locations. To be considered please send us links to your website, live performance video, show/attendance history and a brief description. While we review every artist, we can’t always respond to everyone. Thanks for sharing your music! Submit your music inquiry to email@example.com.
Featured Shows Below
City Winery Presents the Greyhounds. Tickets through CW website. Or link below. Your ticket will guarantee you a seat at a table, but seats are first come first serve, so get there at doors!
Greyhounds are the Austin trio of Anthony Farrell (vocals, keyboards), Andrew Trube (vocals and guitar) and Ed Miles (drums). Many music fans remember Farrell and Trube as key members of JJ Grey's band MOFRO for many years. After parting with Grey in 2016 to focus full-time on Greyhounds, the band has only left the road to record and release two full-length records.’
In 2016, while recording at Sun Studios for the PBS series "Sun Studio Sessions", Greyhounds met Memphis native and acclaimed engineer, Matt Ross-Spang. Soon afterwards, Matt moved his operation to the newly refurbished Sam Phillips Recording studio. Greyhounds were familiar with the studio, and its deep history, and had always wanted to record there. It is the type of space that transports you to another era; the perfect place to make the type of record Greyhounds were interested in making: a less produced, and more spontaneous style of recording, all straight to tape like many of the classic music that was made there in its heyday. And Ross-Spang, is the perfect engineer, steeped as he is in the old school style of making records.
Pulling from 17 years of songwriting, Trube and Farrell had plenty of material to choose from. "It was a chance to look back at some of our favorite tunes that we had never recorded" says Trube. Because there were only 3 days in which to record and mix the record, Greyhounds knew they would have to be ready to perform these songs seamlessly, just like they would at a live show. "When recording to tape you have to make commitments. It is a lesson in letting go and not getting hung up on things. Its liberating."
13 songs were recorded and mixed over the course of those three days. There were special guest appearances from some of their good Tennessee friends Dante Schwebel, Will Sexton, Amy LaVere, and Art Edmaiston. "When you are going at that pace, you don't get a lot of time to second guess yourself. You learn to trust your instincts and be more present in the moment." says Farrell of the breakneck pace of recording.
Cheyenne Valley Drive is a product of a band at the height of their game, making music in a studio that has been virtually untouched by time, recording in the style that many of their musical heroes used. Basically a dream come true. A dream they want to share with you.
October 1 | 8pm | $20Tickets
Dale returns to Hill Country. This will be a dancin' room only show. If you'd like to dine with us upstairs in the main dining room before the show, please call: 212-255-4544 to make a reservation. There will be no tables or chairs in the club during the show. Tickets are General Admission SRO.
Dale Watson, keeper of the true country music flame, latest album Call Me Insane, was recorded in Austin with veteran producer Lloyd Maines (Robert Earl Keen, Jerry Jeff Walker, etc.). The Austin-based honky-tonker carries on in the tradition of Johnny Cash, Waylon Jennings and Willie Nelson with his “Ameripolitan” brand of American roots music.
Album highlights include “Jonesin’ For Jones,” a love song to the music of the legendary George Jones, “A Day At A Time,” about “getting by by barely getting by;” “Call Me Insane,” the album’s moody title track; “Bug Ya For Love,” a fun warning to all the single ladies, and “Mamas Don’t Let Your Cowboys Grow Up To Be Babies.” (Yes, it is an answer song to the Waylon Jennings/Willie Nelson hit.) “Crocodile Tears” is a tear-in-your-beer country song that sounds like an instant classic and “Burden Of The Cross” reveals Watson’s serious side.
October 17 | 8pm | $17-$22Tickets
Eric Lindell's Big 50 in the Big Apple
Hill Country Favorite, Eric Lindell returns with special guest to celebrate the big 50 with music (and his first art show) in the big apple. Get your tix now! Show will sell out. They always do. Show will be standing room only. There will be no tables in club.
With his raspy, soulful voice and instantly memorable original songs, roots-rocking multi-instrumentalist Eric Lindell is a true one-of-a-kind talent. Mixing West Coast rock and swampy Gulf Coast R&B with honky tonk country and Memphis soul, Lindell creates American roots music that is both surprisingly fresh and sweetly familiar.
October 25th | 9:30pm | $50Tickets
Chris Knight Returns With First Album In Seven Years – Almost Daylight, Due Out in October.
“It’s hard to know how people are gonna react,” Chris Knight says of Almost Daylight, his ninth album and first new recording in over seven years. “I’ve written songs about a lot of different things going all the way back to my first record, and some folks still think ‘somebody kills somebody’ is all I write about. Maybe that’s why I was bound and determined to get these particular songs on this album. If people like them, then we’ll be fine. But I wasn’t gonna do it any other way.”
For the past 20 years, Chris Knight has only made music his own way. He’s released eight acclaimed albums, played thousands of electrifying live shows and built generations of fervent fans from Texas honky-tonks to Manhattan rock clubs. He’s been hailed as “the last of a dying breed…a taciturn loner with an acoustic guitar and a college degree” (The New York Times) and “a storyteller in the best traditions of Mellencamp and Springsteen” (USA Today). Bottom line, he’s hard-earned his reputation as one of America’s most uncompromising and respected singer/songwriters. And now with Almost Daylight, Knight delivers the most powerful – and unexpected – music of his career.